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Tobacco History:

The Social History of Smoking

by George Latimer Apperson

First published 1914

Chapter 8 Part 2

SMOKING UNFASHIONABLE: EARLY GEORGIAN DAYS


All's well that ends well; but one cannot help wondering what kind of tobacco it was that the Birmingham tradesman used, a half pipeful of which had such a deadly effect—but perhaps the effect was due to the salt, not to the tobacco.

In the year after that which witnessed Coleridge's adventure, i.e. in 1796, a tobacco-box with a history was the subject of a legal decision. This box, made of common horn and small enough to be carried in the pocket, was bought for fourpence by an overseer of the poor in the time of Queen Anne, and was presented by him in 1713 to the Society of Past Overseers of the parish of St. Margaret, Westminster. In 1720 the Society, in memory of the donor, ornamented the lid with a silver rim; and at intervals thereafter additions were made to an extraordinary extent to the box and its casings. Hogarth engraved within the lid in 1746 a bust of the victor of Culloden. Gradually the horn box was enshrined within one case after another—usually silver lined with velvet—each case bearing inscribed plates commemorating persons or events. A Past Overseer who detained the box in 1793 had to give it back after three years of litigation. A case of octagon shape records the triumph of Justice, and Lord Chancellor Loughborough pronouncing his decree for the restitution of the box on March 5, 1796. In later days many and various additions have been made to the many coverings of the box, recording public events of interest.

Notwithstanding the unfashionableness of tobacco, there were still some noteworthy smokers to be found among the clergy. Dr. Sumner, head master of Harrow, who died in 1771, was devoted to his pipe. The greatest of clerical "tobacconists" of late eighteenth century and early nineteenth century date was the once famous Dr. Parr. It was from him that Dr. Sumner learned to smoke. When he and Parr got together Sumner was in the habit of refilling his pipe again and again in such a way as to be unobserved, at the same time begging Parr not to depart till he had finished his pipe, in order that he might detain him, we are told, in the evening as long as possible.

Parr was not a model smoker. He was brutally overbearing towards other folk, and would accept no invitation except on the understanding that he might smoke when and where he liked. It was his invariable practice, wherever he might be visiting, to smoke a pipe as soon as he had got out of bed. His biographer says—"The ladies were obliged to bear his tobacco, or to give up his company; and at Hatton (1786-1825) now and then he was the tyrant of the fireside." Parr was capable of smoking twenty pipes in an evening, and described himself as "rolling volcanic fumes of tobacco to the ceiling" while he worked at his desk. At a dinner which was given at Trinity College, Cambridge, to the Duke of Gloucester, as Chancellor of the University, when the cloth was removed, Parr at once started his pipe and began, says one who was present, "blowing a cloud into the faces of his neighbours, much to their annoyance, and causing royalty to sneeze by the stimulating stench of mundungus." It is surprising that people were willing to put up with such bad manners as Parr was accustomed to exhibit; but his reputation was then great, and he traded upon it.

Parr is said on one occasion to have called for a pipe after taking a meal at a coaching-inn called the "Bush" at Bristol, when the waiter told him that smoking was not allowed at the Bush. Parr persisted, but the authorities at the inn were firm in their refusal to allow anything so vulgar as smoking on their premises, whereupon Parr is said to have exclaimed: "Why, man, I've smoked in the dining-room of every nobleman in England. The Duchess of Devonshire said I could smoke in every room in her house but her dressing-room, and here, in this dirty public-house of Bristol you forbid smoking! Amazing! Bring me my bill." The learned doctor exaggerated no doubt as regards the facilities given him for smoking; for it was his overbearing way not to ask for leave to smoke, but to smoke wherever he went, whether invited to do so or not; but the story shows the prejudice against smoking which was found in many places as a result of the attitude of the fashionable world towards tobacco.

Johnstone, Parr's biographer, referring to his hero's failure to obtain preferment to the Episcopal Bench about the year 1804, says—"His pipe might be deemed in these fantastic days a degradation at the table of the palace or the castle; but his noble hospitality, combined with his habits of sobriety, whether tobacco fumigated his table or not, would have filled his hall with the learned and the good." A portrait of Parr hangs in the Combination Room in St. John's, Cambridge. Originally it represented him faithfully with a long clay between hand and mouth; but for some unknown reason the pipe has been painted out.

A famous crony of Parr's, the learned Porson, was another devotee of tobacco. In November 1789 Parr wrote to Dr. Burney: "The books may be consulted, and Porson shall do it, and he will do it. I know his price when he bargains with me; two bottles instead of one, six pipes instead of two, burgundy instead of claret, liberty to sit till five in the morning instead of sneaking into bed at one: these are his terms:" and these few lines, it may be added, give a graphic picture of Porson. According to Maltby, Porson once remarked that when smoking began to go out of fashion, learning began to go out of fashion also—which shows what nonsense a learned man could talk.

Another famous parson, the Rev. John Newton, was a smoker, and so was Cowper's other clerical friend, that learned and able Dissenter, the Rev. William Bull, whose whole mien and bearing were so dignified that on two occasions he was mistaken for a bishop. Cowper appreciated snuff, but did not care for smoking, and when he wrote to Unwin, describing his new-made friend in terms of admiration, he concluded—"Such a man is Mr. Bull. But—he smokes tobacco. Nothing is perfection 'Nihil est ab omni parte beatum.'" Bull, however, was not excessive in his smoking, for his daily allowance was but three pipes. In his garden at Newport Pagnell, Bull showed Cowper a nook in which he had placed a bench, where he said he found it very refreshing to smoke his pipe and meditate. "Here he sits," wrote Cowper, "with his back against one brick wall, and his nose against another, which must, you know, be very refreshing, and greatly assist meditation."

Cowper's aversion from tobacco could not have been very strong, for he encouraged his friend to smoke in the famous Summer House at Olney, which was the poet's outdoor study. Bull smoked Orinoco tobacco, which he carried in one of the tobacco-boxes, which in those days were much more commonly used than pouches, and this box on one occasion he accidentally left behind him at Olney. Cowper returned it to him with the well-known rhymed epistle dated June 22, 1782, and beginning:

If reading verse be your delight,
'Tis mine as much, or more, to write;
But what we would, so weak is man,
Lies oft remote from what we can.

He describes the box and its contents in lines which show not only tolerance but appreciation of tobacco, from which it is not unreasonable to infer that Cowper's first view of his friend's smoking-habit as a drawback—as shown in his letter to Unwin, quoted above—had been modified by neighbourhood and custom. It might have been well for the poet himself if he had learned to smoke a social pipe with his friend Bull. The appreciative lines run thus:

This oval box well filled
With best tobacco, finely milled,
Beats all Anticyra's pretences
To disengage the encumbered senses.
O Nymph of transatlantic fame,
Where'er thine haunt, whate'er thy name,
Whether reposing on the side
Of Oronoco's spacious tide,
Or listening with delight not small
To Niagara's distant fall,
'Tis thine to cherish and to feed
The pungent nose-refreshing weed,
Which, whether pulverized it gain
A speedy passage to the brain,
Or whether, touched with fire, it rise
In circling eddies to the skies,
Does thought more quicken and refine
Than all the breath of all the Nine—
Forgive the bard, if bard he be,
Who once too wantonly made free,
To touch with a satiric wipe
That symbol of thy power, the pipe;
        *     *     *     *     *     *     *
And so may smoke-inhaling Bull
Be always filling, never full.

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